Set up a condenser microphone by connecting it to an audio interface via XLR cable, enabling 48V phantom power, and positioning at 6-8 inches from the mouth at a slight angle. Step-by-step setup guide
Condenser microphone (XLR output) Audio interface with 48V phantom power (Focusrite Scarlett Solo is the standard entry point) XLR cable (6-10 foot length for most desk setups) Boom arm or desk stand with shock mount Pop filter (optional but recommended for vocal recording)
Plug the audio interface into the computer via USB.
Install the manufacturer's driver software if required (most modern interfaces are class-compliant and work without drivers on Mac and Windows 10+).
Connect the XLR cable from the microphone output (XLR female end) to the audio interface's XLR input (Combo XLR/TRS jack).
Ensure the connection is firm, an XLR connector should click into place.
On the audio interface, enable the 48V phantom power switch.
Most interfaces have a single 48V button that applies to all XLR inputs.
Wait 3-5 seconds after enabling before speaking into the microphone, some condenser microphones require a moment to charge up.
Speak at normal volume into the microphone while watching the level meter on the audio interface.
Adjust the input ga in knob until the signal peaks at -18 to -12 dBFS, the meter should peak in the green range, not reach yellow or red.
Mount in the shock mount and position the boom arm so the microphone is 6-8 inches from the mouth.
Angle the microphone 10-15 degrees off-axis from the direct mouth path.
Place the pop filter 2-3 inches in front of the microphone capsule.
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FAQ
Phantom power (48V) provides electrical power to condenser microphones through the XLR cable. Condenser microphones require it to operate, without phantom power, they produce no signal or a very weak signal. Dynamic microphones do not require phantom power and are not damaged by it (when properly designed). Enable 48V phantom power on your audio interface when using a condenser microphone.
6-8 inches is the standard positioning for voice recording. Closer produces a warmer, more bass-heavy sound with more room noise rejection. Further away produces a thinner sound with more room ambience in the recording. Some broadcast-style microphones (Shure SM7B) are designed for very close positioning (2-4 inches), check your microphone's datasheet for the optimal working distance.
Angling the microphone slightly off-axis (10-15 degrees to the side) reduces plosive sensitivity without meaningfully affecting the sound. An off-axis position avoids the direct path of plosive air bursts (p, b sounds) while keeping the microphone with in the pickup pattern for normal voiced sounds.
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